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In Kyoung Chun: Make Room
Transparent houses, suspended structures, and intimate paintings serve as metaphors for belonging in this exhibition at the Halsey Institute of Contemporary Art at the College of Charleston.
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Transparent houses, suspended structures, and intimate paintings serve as metaphors for belonging in this exhibition at the Halsey Institute of Contemporary Art at the College of Charleston.
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On view through December 7, 2019, the shows printmaking, collage, and installation beckon viewers to examine their preconceived notions of society.
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On view at the Halsey Institute of Contemporary Art, the installation aims to present both an alluring, gorgeous and otherworldly garden, and its darker counterpart.
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Public Memory in the New South is concerned with how we choose to frame our recollections to arrive at a collective sense of who we are in today's South.
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On view at the Halsey Institute of Contemporary Art, fifty-six photographers’ visions of the South over the first decades of the 21st century.
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Italian artist Hitnes retraces the steps of John James Audubon at the Halsey Institute of Contemporary Art.
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The galleries become a transdimensional stopover camp for extinct animals.
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Diago tracks a lineage of painterly abstraction and other forms in modern Cuban art, condensing them into a body of work that explores the vestiges of slavery and segregation in contemporary Cuban life.